That being said, I was drawn to the project because the images I saw were not only aesthetically pleasing, but appealed to my own writing project that is currently ongoing, a project that has been informed by a series of tumultuous events in my own life— including repeated incidences of homophobia, including a severe assault in New York City’s West Village back March 2011 that required reconstructive surgery. Queer Embraces, the name of the project, refers to the way in which my identity and my movement through cities informs how I define what it means to belong—to other men, to those cities, to the ways in which my being visible is an act of personal transformation with political possibilities.

For me, The Gay Men Project matters because of the fact that despite all of the reforms in terms of LGBTQ rights, so many of the men, myself included, face day-to-day struggles simply by being on the streets. I actively choose to wear a lot of thrift store clothes that are designed for women, which has lead to backlash in virtually every city I have traveled. When I write about HIV/AIDS, sexual health, or what it means to hookup with other men in the age of phone and Internet apps, I still face discrimination, even from gay men who are supposed to be part of the same community I belong to. All of this to say that for me, being visible and honest about who you are remains as important today as it was during the Compton’s Cafeteria riot or Stonewall because so many inequalities exist.